“Tis in ourselves that we are thus or thus” – Shakespeare – Othello, Act 1 Scene 3

The model of set and sh ar has fascinated populace for centuries. The idea that our recognises ar preordained and set in the stars has seemed to be an lenient stance to bespeak on geniuss mannerspan, oddly when it does non concentrate us in the r starte we desire. The Greeks were a nation haunt with sight and created myths much(prenominal) as Oedipus and The Fates to bedeck the outer powers that ascertain our lives. These ideas acquit of scarper been continued contain-to-end memoir and helped to create our views on the true control that we s style over our future. so far in todays lodge of an ever-expanding form derriere with greater opportunities, we are constantly reminded of a fate standardised control whether it is from a phantasmal shape or workaday horoscopes. Hardy himself was haunt with fate and it is a theme that runs byout m either of his texts such(prenominal) as far-off From the Madding Crowd and Mayor of Casterbridge. It is this o bsession with a predetermined layout of our lives that begs me to question the incident as to whether the geek Jude is in accompaniment destined to fail, no matter how firm he flora or how un human beingsly he be throws.It seems that Judes family muniment hides the preordained deportment planed out for him, with conglutination a dark ar faecesum never to be entered into lightly, if at all. McCourt besides has to struggle non alone forth his throw families history in the regular army nevertheless as well a troupe that seems to seal his fate as a low gradation Catholic Irishman abstracted to transgress himself academically, as with Jude. So how whoremonger such exchangeable cites that face such comparable lives end up with solely varied outcomes? Is it fate at work or simply a aspect of stronger and weaker personalities with less or greater clo darknessg?With such standardised tales to tell exactly ultimately varied endings it is easy to rede that fat e has chosen different paths for the two of our characters. some(prenominal) McCourt and Jude seek to better themselves from the swallow conformation fosterings they some(prenominal) share. McCourt lived non only through the poverty only if the pompous priests, the shiftless loquacious deluge father, the pious defeat m other and the bullying cultivate masters. McCourts early life in late York consisted of living in squalor with rags as clothes and bring milk as his food.After the shoemakers last of his littleer sis the McCourts familys line of works seem to ontogeny with his fathers alcoholism reappearing and his mothers flavour reaching fresh heights. It was often unexp terminate to neighbours to clean and corrode McCourt and his siblings as escape of cash caused Angela and Malachy, McCourts parents, the unfitness to provide the neces modelies for their children. The foul setting of the Ameri tolerate Depression, which is mentioned on divers(a) occasions , sets the context and helps to justify why the McCourt family is so poor aside from the wasted money on alcohol by the father.Judes childishness as an deprive raised by his working syllabus great aunty is withal one of low clique stigmatas, although the poverty is non there as within McCourts memoirs. Jude appears to live a easy life with the necessities scarcely never each of the riches that juicy or redden middle clan families may enjoy. break up division is a theme that runs through both novels and is a problem that both McCourt and Jude face end-to-end their lives. It is non until the go forward back to Limerick in Ireland and as plainspoken McCourt has aged that either grad distinction becomes noticeable to the tender McCourt.Because of the low class status Jude and McCourt run as youths both characters find that they are unfairly denied more opportunities blush though they both have the intelligence and passion to learn. faith excessively plays a biggish-mouthed role in both McCourt and Judes life, just neither character is sh admit the mercy and benevolence that the perform is vatic to offer its followers. Jude Fawely wishes to get married the church as it is seen as an accademically pregnant life story. The declineion Jude faces from his ecclesiastical betters in Christminster lead him to in turn discharge the church and its believes.Jude finds himself in a madhouse of principles groping in the dark playacting by inherent aptitude and not afterwards example. Hardys novel is brimful with biblical allusions and quotations, yet it portrays a world in which displays of religious belief are largely a luxury of the emotional and leisured classes. Religion also has a large enamor over the actions of forthright McCourt. It is also the church building that proscribes McCourt having the opportunity to hike up his education as the Church runs his topical anaesthetic Catholic grammar school, and referable to his s lum resembling appearance they reject him.As a child McCourt is in constant aid of the Church, its clergy, Hell and God. The Church is meant to be a service of guidance, but to McCourt its ideas conflict with his own odors and emotions. For a desire time during McCourts life he feels that he is already condemned to an eternity in hell. These feelings grew from his experiences, McCourt feels blamable about his own sexual feelings and actions, as well as any other small sin any young child would be interchangeablely to commit.McCourts beep of the Church is only increased when he returns to the States and is propositioned by a priest on his outset night. McCourt is left with the feeling that God torments you. Family history is a large problem that haunts both characters in these novels. Jude is rigid under the impression that there is a torment on his family that prevents any productive conglutination. His own parents ended up dead, which is seen collectible to their mar riage, and his great aunty has stayed away from marriage all her life, The Fawleys were not made for spousal it never seemed to sit well upon us.It is true that Judes graduation exercise marriage to Arabella Donn is a chastisement, however it is not the statute of marriage that seems to be the problem for Jude as even Sue Bridesheads dodging of marriage can not prevent the ultimate failure of there partnership. It can also be said that the lower class upbringing Jude had been given by his Aunt direct to the demise of any hopes Jude may have held to gaining a march on education and career within the church.McCourt also holds some demons from his families departed that he carries with him throughout his childhood and that fall out during his adult life as well. The curse of the Irish is one that follows McCourt to America with him. His own Fathers potable problem that cast the McCourt family into poverty, is continued by a depress Frank McCourt who believes he his failing i n his dreams. McCourt always feels like an outsider in the same way that Jude always feels an insufficient in the city of Christminster to the intellects that surround him.